A personality bible is the heart and soul of an animation series. With no proper character bible you can’t even begin on talking to anyone about your concept. I have experienced many character bibles from producers around the globe in the past few years asking for co-production collaborations. I’ve seen excellent ones and absolutely dreadful ones. Having received several questions asked regarding what switches into a character bible, I’ve written this entry to give some insight with this topic. Here are the different ingredients that should make-up a great character bible.
It is absolutely important to really have a synopsis in your character bible. This is actually the foundation that you simply build your complete story upon and it should be concise, however not verbose enough such so it can’t be read or explained in 3 minutes or less. Try to make this a one-pager if possible. The shorter you may make this and still keep it interesting, the better.
Include the designs of the most crucial characters in your character bible. Be sure to spend lots of time to make them look great and ensure which they do justice to your concept. A personality bible should be much more visual than wordy, showcasing the type designs to its fullest – with various poses and expressions of the main characters. Props – if any – also needs to be showcased. They’re very important showing the potential of the characters whenever they become animated or licensed for various reasons. People reading the type bible need to manage to have the characters for who they’re and get an idea of the show through these character designs.
Ideally text descriptions of the characters shouldn’t be verbose, because not many people would really read all that text. The character descriptions should outline only the most crucial characteristics of the characters to help keep things short and quick to read dakimakura store. The visuals should pre-sell, and the text do the selling.
It could be good to showcase certain key locations and offer illustrations or storyboards of how the world of the property looks like.
Fundamentally, it could be good to leave as little guess-work to the perspective partners as you can, so your brand identity and values of the property isn’t compromised.
Lastly – for a house that is being primed for animation – you might want to include something called an’episodic synopsis’- which outlines the stories that could happen in a animated series. They’re usually done by a’script doctor’- who can also help in refurbishing the complete story background and character descriptions.